- Cronología
- Ca. 1791
- Ubicación
- Private collection, Madrid, Spain
- Dimensiones
- 33 cm ø
- Técnica y soporte
- Oil on canvas
- Reconocimiento de la autoría de Goya
- Attributed work
- Ficha: realización/revisión
- 09 Mar 2010 / 15 Sep 2022
At the beginning of the 20th century, this work belonged to Antonio de Mazarredo Allendesalazar, who left it to her daughter, Josefa de Mazarredo y Vivanco, Countess of Castellano.
Antonia de Moyúa (not Moyna, as she is sometimes mistakenly called) was the daughter of the Marquis of Rocaverde. Her marriage to Admiral José de Mazarredo y Gortázar produced a daughter, Juana Mazarredo y Moyúa.
The surviving part of this portrait depicts the subject against a dark, neutral background. She has a friendly, smiling face and is dressed in a white blouse with lace at the neck. She also wears a band of golden links in her curly hair, along with a matching necklace and earrings.
Today's critics are divided between attributing the work to Goya or to Agustín Esteve, just as with the portrait of Juana Mazarredo y Moyúa.
It appears that the canvas was cut down following the damage caused during one of the sieges that the city of Bilbao suffered in the course of the Carlist Wars.
-
Exposición Hispano-FrancesaZaragoza1908
-
Exposición de Retratos y Dibujos Antiguos y ModernosAyuntamiento de BarcelonaBarcelona1910
-
La memoria de GoyaMuseo de ZaragozaZaragoza2008organized by Fundación Goya en Aragón, consultant editor Juan Carlos Lozano López. From February 7th to April 6th 2008cat. 30
-
Vida y obras de GoyaMadridEditorial Peninsular1951cat. 218
-
La memoria de Goya (1828 – 1978)ZaragozaGobierno de Aragón, Dpto. de Educación, Cultura y Deporte2008p.321, cat. 30
